The work of this artist unfolds as a pictorial ritual where the image does not illustrate, but summons. Her canvases merge academic technique, indebted to Renaissance chiaroscuro and the European symbolist tradition, with a contemporary sensibility attuned to the inner imaginary, the subtle, and the visionary. Her language is marked by precise, intimate figuration, where the female body emerges as a threshold between worlds: a matrix of knowledge, transmutation, and memory.

The spiritual dimension is not treated as escapism, but as a quest for consciousness that interweaves body, energy, and cosmos. There is a constant presence of the ethereal: chromatic veils, esoteric geometries, bubbles, beams of light, not as ornament, but as translations of vibration. Narrative time is cyclical and archetypal, closer to myth and tarot than to anecdote. The figures do not pose, they inhabit.